5 reasons why the office is history
But what is the future of work in our digital age of always-on connectivity? Can the old office survive or will we all soon work from home and rarely even meet our fellow workers?
Here are five reasons we believe that the 20th century office is history.
1. We now carry our smart devices everywhere we go. By 2020, Ericsson research predicts there will be 50 billion connected devices in the world. And many of these networked devices -- like self-driving cars or Google Glasses -- will be so smart to create what the futurist Kevin Ashton calls an "Internet of Things".
But what about a smart office?
The problem with the physically fixed office is that it is, by definition, dumb. The traditional downtown office isn't flexible, adaptable or, above all, mobile. It's increasingly an archaic leftover of industrial society in today's hyper-connected, infinitely mobile world, CNN reports.
In today's networked age, we no longer need to travel to work. Instead, work travels with us wherever we go.
Anything that can be done in the office can be just as easily done on our smartphones, tablets and laptops. That local coffee house or the wi-fi enabled plane or the smart car or, above all, the connected home, are now at least as productive and collaborative a working environment as any traditional office.
This fundamental change in the nature of work is brilliantly captured in an illuminating new book by Scott Berkun entitled: «The Year Without Pants: WorldPress.com and the Future of Work". Berkun spends a year working at the blogging software company WordPress in which everybody works remotely and there are no schedules, few meetings and even fewer rules. As more and more work from home, Berkun concludes, none of us will need to wear pants in the future.
The very nature of work is radically changing too. As more and more of us are self-employed in what Daniel Pink calls «The Free Agent Nation", work can no longer be marginalized in a nine-to-five office. And work -- as the Richard Florida argues in "The Rise of the Creative Class" -- is increasingly dependent on creativity rather than obeying the orders of a boss within a hierarchical organization.
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